1. I am half Mexican and Jewish! My family immigrated to the US so I am first generation American on my Mother’s side!
2. I am very passionate about animals! I have a one year old rescue pup named Auggie. He’s half terrier, half Chihuahua and I love him to death.
3. I am an only child, but I have a ton of cousins.
4. My BIGGEST fear is roaches. I have literally leapt into the arms of strangers.
5. I have always been a voracious reader and I am a POTTERHEAD. Let’s just say I sobbed when I didn’t get my letter to Hogwarts when I was 12.
6. In middle school band I played the flute and loved it
7. My mom is a dentist and I sleep with two retainers every night LOL
8. I am a die-hard Big Brother fan. I played a real life, game version of the show with some friends, (including some past Big Brother winners) and I WON.
9. My first acting job was a Coca Cola commercial when I was 6.
10. I don’t have a middle name.
Photoshoots > Session #43
It’s the day before Sara Paxton’s new film, The Front Runner, hits theaters. She’d been in promo overdrive for the past few weeks. “Everyone is like, ‘You must be exhausted,’” she said on a dreary Monday morning, sipping a cup of tea. “And like, yeah—but it’s so exciting. I’m having the best time.”
The Front Runner is the 30-year-old actress’s biggest prestige studio film of her lengthy career, which involves everything from beloved television series (Twin Peaks; This Is Us) to a slew of popular teen movies in the early aughts (Sleepover; Aquamarine). It’s also a meaty role. The political drama, directed and co-written by Jason Reitman, is based on the true story of American Senator Gary Hart, a 1988 Democratic presidential candidate, portrayed in the film by Hugh Jackman, and the fallout when his extramarital affair becomes public. Paxton plays Donna Rice, the woman with whom Hart was caught, and the proverbial eye of the national storm. “I was born in 1988, so I obviously don’t remember this moment in history, but I was listening to Radiolab and they were doing an episode on Gary Hart and Donna Rice,” Paxton recalled. “I was like, ‘This is such an interesting, fascinating, important story.’ But I went on with my life. And a year later, I got the script.”
After her initial audition, Paxton was called back for a chemistry reading with J.K. Simmons, who plays Hart’s political advisor. “To be able to audition with an Academy Award winning actor is like…I’m such a huge fan of his, and I love Whiplash,” she said. “When I went in for my chemistry read with him, I got there really early because I was nervous and wanted to chill out in my car and get myself handled before I went in. Then this Tesla pulls up and is trying to park in this tiny space in front of me and it’s [Simmons]. I could see him getting angry and having trouble parking. I was like, ‘Oh, my, god.’”
Nevertheless, she booked the part, which was in itself no easy feat. “It was really intimidating,” she said of playing Rice. “It felt like a really big responsibility. I’m portraying the darkest moment of her entire life. I just really had to do it justice. I could relate to her so much that it really mattered to me.
“Hugh was meeting with Gary, and they’re like friends. He stayed at his house. I talked to Jason about if I should try to talk to [Rice]. He was in communication with her the entire time, because it mattered to him that she should feel comfortable. Then we decided that I’m not doing an impression of her; that’s not what matters. What matters is portraying and capturing the empathy of this situation.”
Though Paxton has yet to meet with Rice in person, she does have her stamp of approval. “She was one of the first people that saw the movie, and she loved it,” she said. “She was the critic I was most nervous about, and the fact that she loved it was so gratifying. She told Jason that when it was happening [in 1988], she hadn’t cried. It wasn’t until she saw me and felt empathy for me, who was her, that she started bawling in the theater and released 30 years.”
In addition to her scenes with Jackman and Simmons, Paxton also shares a poignant scene with Molly Ephram, who plays Irene Kelly, another Hart staffer, in what is otherwise a largely male dominated setting. “I love those scenes,” Paxton said. “I didn’t think that much about them until I could see the movie and take a step back. You have this character of Irene Kelly and she’s sent in as this fixer. These women are at two completely opposite ends in their careers and their place in the world, and yet they form a connection.”
After a limited release on election day, the film will continue to roll out this weekend to more theaters nationwide, allowing the rest of the world to see Paxton in this new light—a prospect she’s very excited about. “This project is the most adult role that I’ve ever had,” she said. “I’m 30. It felt really nice to work on something with people like Jason, who I admire so much and does work that I have aspired to be a part of for my whole life…[Going forward[, I want to take roles like this character. It’s kind of rare. I’m just a working actor and not every job is like this. Some are jobs and some are amazing special opportunities. I hope to have more of those.”
Photoshoots > Session #42
Sara Paxton has been making her mark in the film industry for most of her life. At only 30 years old, she is already a two-decade veteran of show business. Having been acting professionally since the age of six, it’s likely you’ll recognise her face. In her career, she’s curated a smart mix of projects, showing her versatility as an actress. Whether charming in her role as a mermaid in teen flick Aquamarine, playing depraved games in the dark comedy Cheap Thrills or being brutally murdered in The Last House on the Left, Paxton seamlessly traverses each genre with extraordinary skill. Not many child stars can speak of carrying on with such a zealous consistency in the ruthless business of acting but speaking to Paxton, it’s clear that she has never been phased by the bright lights.
Paxton tells us the unlikely story of how she came to acting. “When I was a little kid, my cousins and I would do print ads for the paper modelling the clothes. The photographer gave my cousins and I a business card for a commercial agent. My mom didn’t think twice about it but my cousin went and started taking acting classes! This made me insanely jealous and so I begged my mom to go too!” Years on, she was balancing a serious acting career with school, but Paxton remained level-headed about it. “I didn’t think of what I was doing as a career. I thought of it as my after-school activity that I loved. It was tough at times but being in regular school was very important to me,” she says. Paxton stuck to school of her own volition, even if it meant putting in extra work when she was off working on sets, going so far as to ask her friends to fax her all the homework and notes she missed. “I auditioned and fought for everything I worked on in my teen years and I am very proud of that and am so grateful that I was able to be a kid but still have those amazing experiences.” Ultimately, the love of acting eclipsed everything else.
The latest instalment in Paxton’s multifaceted career holds up a mirror to America. This year she returns to the big screen in the political drama The Front Runner. The film tells the true story of Senator Gary Hart, who was set to run as the 1988 Democratic presidential nomination until this was upended by an allegation of an affair with model Donna Rice. “[It] was the first scandal of its kind and changed the trajectory of politics forever,” Paxton explains. As she promotes the film the political situation in the States seems to be the elephant in the room. With the last presidential campaign and current White House being marred by similar (and even more shocking) scandals, the film is understandably causing a stir. “I think this is an important story because it is so relevant to today. It’s a moment in our history that surprisingly isn’t well known but is the story of how we got to now. It marks a turning point in the relationship between politicians and the media and the breakdown of preexisting barriers between personal and professional reporting,” the actress tells us.
In the film, Paxton takes up the role of the infamous Donna Rice, who was vilified by the American press when images of her surfaced with the senator (played in the film by Hugh Jackman). “I think that at the time, Donna was portrayed as a one-dimensional person. A caricature.” It seems 30 years later, Rice is finally getting her due. “The reason why I loved the script so much upon reading it was because of how Donna was written. With dignity and respect and as a real person,” she goes on, “I think this film finally gives Donna the voice she never had.” In 2018, the conversation on women in sexual misconduct cases has evolved and with the revival of the Hart-scandal, Paxton felt the immense pressure to do Rice justice. “When I got the role of Donna, I suddenly realized I had a huge responsibility of playing a real person! A woman who is alive today and can see what I say about the film and my performance. This was extremely intimidating […] I wasn’t looking to mimic her in anyway. My only concern was capturing the empathy of this woman in this terrible situation.”
What can we expect to see next from Sara Paxton? Right now, she’s really set on returning to music. Paxton has shown her vocal talent with brief musical stints in the past and she now has her eyes cast on taking this to the next level. “I love musicals! So I think big dream come true would be able to sing in a film!” With an impressive list of roles under her belt, we know Paxton can do it all. We’ll keep our eyes peeled for what she brings us next.
Photoshoots > Session #41
Sara plays Donna Rice in the upcoming movie, “The Front Runner”. It releases in theaters on November 21st. 😀
“Donna Rice was a broken human being whose life had been stolen,” Reitman said. “You returned home to find out that you can’t walk outside. You can’t buy groceries. The world feels as though it deserves to know everything about you. People thought of Donna Rice as a blonde object on a boat, not a human being. She didn’t sign up for any of that.”
As Bai wrote, “Donna Rice was an attractive blonde only in the sense that the Sistine Chapel had some pretty good artwork.” She was, he said, “positively breathtaking.” Sara Paxton, who plays Rice, has the same angelic aura.
In a key scene, Paxton’s Rice begins to cry during a lengthy crisis-management session, as she tries to explain to a Hart adviser that the reason she worked so hard was so that people wouldn’t look at her like she was “some stupid bimbo,” just the way he was looking at her.
Noting that this was Paxton’s audition scene, Reitman recalled, “Her performance just annihilated me. You see all her aspirations being crushed. I cast her then and there.”
He showed the film first to Rice Hughes, who has not talked publicly about Hart in decades. “Donna thought Hugh [Jackman] was amazing, and she was moved by the decency with which Sara played her,” the director said.
The 30-year-old Paxton was born in 1988, just after Hart’s candidacy exploded. “The name had never crossed my ears,” she said. “In a lot of ways, Hart was a man who was ahead of his time, but he was also a man who was behind the time because he did not realize the political landscape was changing right beneath his feet.”
“On the one hand, the media have a moral obligation,” she mused, “but on the other hand, are they doing more harm than good?” She said she felt an enormous responsibility because she had never played a real person before, much less one “in the darkest moment of her life.”
“The job of Gary’s people was to protect Gary,” Paxton said. “There was no one there to protect Donna.”
Photoshoots > Session #37
Welcome to a new fan site dedicated to Sara Paxton. I have wanted to create a site for her for so long, and finally I was able to do it. I have a lot of work left to do on the site with both the content and the gallery, but I will add gallery updates weekly to catch up. To begin with I uploaded all the photoshoots have I found so far! Enjoy. 😀
Photoshoots > Session #1 – Session #35